The arrangements feature far denser instrumentation, and the occasionally modulated Janovian scream that was Carrabba's vocal m. This newly refined sound is sure to make fans out of those who found previous Dashboard releases, well, a bit too confessional. Norton has done an amazing job of filling in the spaces and ferreting out the hooks in Carrabba's compositions.
Without losing the latter's nimble, insistent acoustic guitar work or his earnest vocal delivery, Norton has pulled the pieces together and produced an indie-rock record that even emo haters can dig. Moving away from James Wisner's delightfully spartan productions was a gamble that paid off. Elements of power pop, '70s rock and good old pop punk are layered together to create a rich, dynamic record that highlights Carrabba's versatility.
Millions of adoring teens have dutifully purchased each EP and re-release since Places , Dashboard's breakthrough, and that same adolescent army will dutifully purchase A Mark, a Mission, a Brand, a Scar. For those who have never listened to a Dashboard record -- or, more important, for those who have listened and didn't like what they heard -- give this new record a chance.
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